Nobody except Tama and Ramillies has given you the mechanical answer I think you're probably looking for. And neither Tama and Ramillies were as clear as they could have been. Let's break things down in more detail, using the box method you're familiar with. Tama's recommendation about scale degrees is a good one, but it doesn't help you right now.
Let's say you're moving up the neck in a particular passage during your solo. You know ahead of time which is your lowest note and which is your highest note for that passage. Given that information, you first decide which box it makes the most sense to start out with and which box you want to end up in.
That could vary depending on the previous passage and the upcoming passage, but that's irrelevant to your actual question, so let's not get sidetracked. Tama and Ramillies each give a different answers to this, and Tama especially was unclear--her answer was almost more implied than clearly stated she says "The fingering pattern would be , , 1 slide " without actually explaining what she means , so I'll spell it out.
Fortunately, her diagrams do help.
To do what she's talking about, you slide from position to position. Here's what that means:. Ramillies gives you a different method--instead of sliding, which necessitates staying on the same string and moving your finger up or down it, Ramillies advocates using open notes to jump from position to position.
What you'll be doing is using the open note as a kind of trampoline to jump from one box to the next. To use that method, here's what you need to do:. In that case it's still OK for fingerstyle but if you're using a pick it requires a string skip, which IMO negates the advantage of avoiding the slide. Still, it's your poison to pick. This method will work best with classical guitar. It will break down if you try to use it in jazz etc. If I need to run a scale across the whole neck, I always do it by using an open string. Since most music for the guitar is in the keys with sharps, you can be quite sure that it will be possible at some point.
I play one half of the scale in the first position, up to a open string, most often E 1st string.
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- Major Scale for Guitar (Positions, Patterns, and Licks)?
While the right hand takes care of the open string, the left hand has plenty of time to move into a suitable higher position and finish the scale in there. This is a very basic and braindead method, but it works best for me, even in some quite virtuosic pieces of the classical guitar.
It's quite nice since you can play across the entire range in only two positions of the left hand: As you see, your left hand will have to move only exactly once, with quite plenty of time. The flattest key you will regularly meet is, I believe, D minor, and there this stunt is still entirely possible. Don't forget to mute the open string after doing the leap. Your left hand will take care of it easily. Browsing quickly through all the great answers, i noticed something missing or maybe i just missed it. I'm just going to say that there are two steps to learning scale x:.
Home Questions Tags Users Unanswered. Play a scale across the whole neck of the guitar Ask Question. Are you saying that you can play all the notes on one string only , from bottom to top, or do you mean you don't know how to move from octave to octave across the neck? It's not clear at all what you mean by 'I have learned all the notes Do you mean you know their names?
The Definitive Guide to Scale Positions for Jazz Guitar
Where they might be found on the fingerboard? Ask the people you know to show you what they do. There's actually no need for explanation at this stage. But the question is unclear. For E minor for example: What's happened to 5th st. This is the confusing part for beginners. So few notes, so many different places to play them Tim I don't understand your question at all. What do you mean by "what's happened to The notes I enquired about are all part of the E minor scale.
They're not shown in the display, but could have been. Tim The point of my answer was to show how to play an E minor scale that spans the whole neck. Playing the frets you mentioned the notes are there but I suggested playing them on different frets from the ones you mentioned would make it harder to play the whole neck, not easier. Tama 1, 1 9. Max D 8. Since you are just beginning, here is a very simple way to get you started: To me, the chart comes over more like 'mode patterns' And to me a scale starts and finishes on a root note.
Starting a Cmaj scale on E and finishing 2 octaves plus higher on G makes even less sense. Then there's pattern 2, which seemingly is based on a non-diatonic note from its fret positioning.
Then there's the fact that while position 1 may work in C but not for me! It all seems more confusing than helpful. One that can make sense is start on fret 8 with middle finger, use frets Tim - Scale patterns are good to help beginner and intermediate players learn where to move their hands to.
I can play at least one octave, red note to red note in each pattern. Pattern 4 has 2 octaves. Here it is C major. Shifted over 5 frets it is a familiar G major. Not sure why, but during many decades of teaching guitar, I never felt that they helped. Confusing, and daunting to a beginner. There you are - only 45 to remember, and you can play in C!!
Major Scale Quick Facts
I don't use them when teaching classical or flamenco, but for students of blues they are really helpful. It's not like remembering 45 positions - more like 5 or 6 positions. I appreciate the answer, thanks. Still trying to get my head round pattern 2, which could easily start on fret 3, where there's at least a start and finish note within the key.
Major Scale for Guitar (Positions, Patterns, and Licks)
I use scale patterns a lot of the time, but rarely think in the terms of the above example. Unless your hands are big enough to comfortably span 5 frets that far down the neck, which is what's going on with Pattern 5 in this diagram. Tim Pattern 2 and pattern 1 both actually start with the C shown in red on the 3rd fret of the A string. The diagram shown in the question simply carries the scale past the root in both directions.
Technically the scale itself is red dot to red dot but when soloing or improvising you can go past the octave in either direction. So the pattern is carried to all 6 strings where notes within the key can be reached from each position. MattPutnam Actually Pattern 5 is not so difficult as long as you start with the root on the 4th string and don't use the 5th and 6th string - particularly since the frets are closer together at that point on the neck.
Tim See my edit the part after Edit: Andres Hernandez 11 1. I see the WH but do not see HW in the scale. And C Maj scale is: My apologies for any errors I may have introduced. Yorik 3 7. So, if you have a progression in the key of G major, such as G-Em-C-D, you use the G major scale to solo over those chords. What are the chords in a major scale?
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The chords in a major scale are always Imaj-iimin-iiimin-IVmaj-Vmaj-vimin-viidim. Or, for four-note chords you have Imaj7-iim7-iiim7-IVmaj7-V7-vim7-viidim7. What is a relative minor scale? A relative minor scale has the same notes as the major scale, though it starts from the 6 th note. For example, in C major the 6 th note is A, so Am is the relative minor scale. Same notes, different starting note. Play this shape in C to get the sound of the major scale into your ears, then move it to other keys to see how it sits on the fretboard.
Try both out and see which one you prefer to think about when visualizing, applying, and writing the major scale. Now that you know how to build the major scale, take a look at how to apply this scale to a guitar soloing situation. The major scale is used to solo over any chords in the major family. To apply this knowledge, put on a maj7, maj9, 6, Add9 etc. Here are 8 more major scale chords that you can learn and add to your playing. Each of these chords is built from the major scale, and therefore are used to comp when playing in a major key.
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